Very excited to receive a Kirkus Review for You'll Be Fine, which called it "an enjoyable story about an adult trying to grow up." You can read the whole review here (and, if you'd like to request an ARC, they're available on NetGalley here).
"Everyone knows the dangers of being in the news business these days, but Laura Lippman’s new novel “Lady in the Lake” is a powerful reminder that the search for the truth has always been a precarious and underappreciated one."To read more, go here.
Giveaway ends August 31, 2016.
See the giveaway details at Goodreads.
So much depends on what is never spoken and also what is. So much depends on where you are waiting and how open you are to what comes along.
Definitely not husband. He speaks, an unremitting monologue to which I respond in monosyllable. I hold the poems of Anne Sexton open on my lap. If I read, if I pretend to read, it does not matter. He will repeat aloud amusing signs, the mileage left to San Francisco, to Sausalito, to Petaluma, to Santa Rosa. He will muse about dinner, three hours away, where we will stay, at least five. Should we drive the whole night through?To read the entire story, go here.
No man is an island. He is a peninsula and a small package of value.
It’s the sort of witty, on-point observation that populates all of the short stories in “From Here,” which depict a huge range of characters and situations, all of them inspecting the ideas of dislocation, belonging, and the meaning of home from a different angle. While the perspectives vary, they’re all told through the lens of Michalski’s sharp eye for detail and beautiful prose.
It culminates with a beautiful, devastating finish, the sort that left me rereading the last paragraph over and over with my breath hitched in my chest.
Many authors’ stories blend together across a collection; they struggle to convey a unique voice in each piece. Not so with Jen Michalski’s From Here. Though her characters share common experiences—dashed hopes, disappointments, misunderstanding by loved ones—the voice in each story of From Here is fresh and specific.and
Jen Michalski excels in subtlety that is made possible by her nuanced understanding of voice.Yay! To read more, go here.
In college I was introduced to Raymond Carver, not in a class, but by a roommate who loved the short story "Fat." When I first read it, I was confused; a waitress recounts to her fellow co-workers her revulsion and confusion over a recent, extremely obese diner, a man who eats more than she has ever witnessed anyone eat and refers to himself as “we.” The story mysteriously ends with the waitress, speaking to the reader: "It is August. My life is going to change. I can feel it."To read more, go here.
Can you tell me about a writer or artist whose biography inspires you?
Without coming off as incredibly pretentious, I've always been struck by Beethoven, who began to go deaf around 26, when he was working on "Pathetique." He wrote to his brothers about wanting to commit suicide but decided to continue living and creating art. At one point, he didn't even know that his work reviewed a standing ovation until he turned around and saw everyone in the music hall clapping. If Beethoven didn't throw in the towel, then how can the rest of us? And I think we should work in that vacuum as well, deaf and blind to applause, to reaction, good or bad.To read the entire interview, go here.
Baltimore is warm but pleasant...I belong here, where everything is civilized and gay and rotted and polite.― F. Scott Fitzgerald"Fitzgerald's famous quote about Baltimore might convey a town of Southern Gothic leanings to outsiders, but as a Baltimorean, I think it means that you can stroll through a neighborhood of stately, preserved brownstones while watching a rat leisurely cross the sidewalk. Or visit the Patterson Park Observatory (called the Pagoda by locals because its Victorian design is often mistaken for Asian) and throw away a box of fried chicken someone left behind on its steps. Like an imperfect gemstone, Baltimore’s real value lies in it being one of a kind. Established in the 18th century as part of the tobacco trade, Baltimore has always been known as a gritty harbor full of wharf rats and stevedores, a place where the newspaper would just as likely be used for fish-wrap as for reading."
Could You Be With Her Now received a nice review today from Baynard Woods and the Baltimore City Paper: The two very different styles in Could You Be With Her Now, not only make the case for the novella as a form, but also for Michalski as a wise writer and a master stylist.To read more, go here.
How do you decide when a piece you’ve written is “finished” enough to publish?I think they tell you. I think all stories have their own souls, or flames, and sometimes they’re very fragile and apt to extinguish if you don’t work fast and ride their waves all the way to shore. I’ve even abandoned short stories during later revision stages because the energy that drove their initial writing has dissipated. There’s just nothing to be done then, no matter how you try and fix it—you can tell when a story has lost its soul and a writer keeps revising it over and over anyway. Thankfully, I’ve finished a lot of stories before their flame went out. But it is something I need to be aware of—that when the inspiration strikes, I’d better stop what I’m doing and start writing.
Today is the release date of my collection of novellas, Could You Be With Her Now, from Dzanc Books, and what better way to celebrate than this thoughtful, intelligent review by Charles Rammelkamp at Chamber Four. I'm really thrilled to share it: Above all, I Can Make It to California is an impressive feat of imagination. May-September is a different narrative altogether, much more complex, subtle, and original...
This is an admirable and original book. Michalski is a skilled storyteller. I look forward to her novel, The Tide King, due out later this year from Black Lawrence Press.To read more, go here: